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Disney is for the sexists/racist, Dreamworks is for children

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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby PLAYER57832 on Mon Dec 05, 2011 5:10 pm

BigBallinStalin wrote:
PLAYER57832 wrote:There are absolutely fair points here. That said, Disney was a product of the 50's and 60's. Judging a man by today's standards is just not "fair".


Agreed. It's totes not fair to judge people who burnt bitches, burnt witches, enslaved people, raped women after looting a city, killed indigenous tribes in the name of Manifest Destiny, etc.


Depends. If they were doing it today, of course. Also, there is a difference between saying "give them a free pass" and saying "don't judge them by today's standards". But hey, you aren't known for caring about subtleties.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby MeDeFe on Wed Dec 07, 2011 12:06 pm

jimboston wrote:
MeDeFe wrote:d1g, Andersen's Little Mermaid does NOT involve Jamaican crabs who're unwilling to work, nor fish in blackface.

How does it portray Sebastain (the Crab) as unwilling to work???

He's the right hand of the King and he's also the Court Conductor!!!

Seems like he has plenty of work to me.

http://www.youtube.com/watch?v=-tz3SN_UF2M

Particularly the part that goes
Up on the shore they work all day
out in the sun they slave away
While we devoting full time to floating under the sea
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Army of GOD on Wed Dec 07, 2011 2:17 pm

MeDeFe wrote:
jimboston wrote:
MeDeFe wrote:d1g, Andersen's Little Mermaid does NOT involve Jamaican crabs who're unwilling to work, nor fish in blackface.

How does it portray Sebastain (the Crab) as unwilling to work???

He's the right hand of the King and he's also the Court Conductor!!!

Seems like he has plenty of work to me.

http://www.youtube.com/watch?v=-tz3SN_UF2M

Particularly the part that goes
Up on the shore they work all day
out in the sun they slave away
While we devoting full time to floating under the sea


This has nothing to do with his Jamaican accent and everything to do with his crab-ness.

Everyone knows crabs are lazy.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Jenos Ridan 2nd on Wed Dec 07, 2011 4:38 pm

If Disney is racist and sexist, what does that make us?

Calm your tits, ladies, before you say something....stupid.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby BigBallinStalin on Wed Dec 07, 2011 10:09 pm

Dukasaur wrote:
BigBallinStalin wrote:
Dukasaur wrote:
BigBallinStalin wrote:
PLAYER57832 wrote:There are absolutely fair points here. That said, Disney was a product of the 50's and 60's. Judging a man by today's standards is just not "fair".


Agreed. It's totes not fair to judge people who burnt bitches, burnt witches, enslaved people, raped women after looting a city, killed indigenous tribes in the name of Manifest Destiny, etc.

Okay, you're a soldier, circa 1200 A.D. There virtually no such thing as medicine, and no commoner can afford nursing care. After a battle there's normally a detail sent out to kill off the seriously wounded (who are not going to recover anyway) and collect their weapons and other useful gear for the use of the living. Today, your commander has given you this detail.

Are you an evil person, just because 800 years later wealthy industrialized nations will have modern hospitals and airborne MedEvac units, and will evolve the luxury of a "get the wounded out at all costs" doctrine?

Damn right that morality has to be seen in the context of its time.


Mercy-killings don't equal witch burnings. Actions can be justified given economic constraints. I agree that context matters, and I'm not applying modern capabilities and constraints to the past, nor does your example exempt the immoral actions within my examples.

But let's presume that morality has to be seen in the context of its time, with the implied meaning that one can't judge someone in the past from today's standard. Please explain how the eager SS officer role in holocaust was morally correct--given the context, of course!

They were not morally correct. They were wrong, but they were wrong in their own time, by their own standards. The fact that they are also wrong by our standards is coincidental.

The fact that the Nazis were guilty by their own standard is evidenced by the fact that almost all tried to conceal their wartime activities or deny responsibility in some way. At Nurnburg, of the major Nazi accused, only the madman Julius Streicher tried to maintain that what he did was right. All the others tried to evade and excuse themselves in other ways -- they didn't know what was going on, they weren't in charge of what they were in charge of, they had no choice but to follow orders, etc., etc. By attempting to evade responsibility for their actions, they were admitting that those actions were wrong by their own standards. The same can be said of lesser cogs in the wheel -- a tiny few maintained that they did the right thing; the vast majority knew perfectly well that they were doing evil deeds and once exposed tried to conceal, evade, or at least downplay their own role.

Anyone who finds moral relativism appealing would have to reasonably balk at that point, so some degree of impartiality matters--as does taking into consideration political, social, and economic factors (which can be used to justify mercy killings circa 1200 AD). If similar constraints were faced in today's world, then the mercy-killing is justified.

It's not that morality must be seen in the context of its time. Judging moral decisions depends on awareness of the economic, social, political, etc. constraints and opportunities which face the individual. The difference of time from my world and 1200 AD doesn't matter, nor am I applying modern constraints and opportunities on past constraints and opportunities.

Well, of course. There's nothing magical about the date, or the amount of time that has passed. What matters is the circumstances that existed.


Seems like we're in full agreement here.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby BigBallinStalin on Wed Dec 07, 2011 10:13 pm

PLAYER57832 wrote:
BigBallinStalin wrote:
PLAYER57832 wrote:There are absolutely fair points here. That said, Disney was a product of the 50's and 60's. Judging a man by today's standards is just not "fair".


Agreed. It's totes not fair to judge people who burnt bitches, burnt witches, enslaved people, raped women after looting a city, killed indigenous tribes in the name of Manifest Destiny, etc.


Depends. If they were doing it today, of course. Also, there is a difference between saying "give them a free pass" and saying "don't judge them by today's standards". But hey, you aren't known for caring about subtleties.


What's the matter, PLAYER? You can tell BigDaddyStalin all about your pet peeves. Let's all gather around and feign interest.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Aradhus on Wed Dec 07, 2011 10:23 pm

BigBallinStalin wrote:
PLAYER57832 wrote:
BigBallinStalin wrote:
PLAYER57832 wrote:There are absolutely fair points here. That said, Disney was a product of the 50's and 60's. Judging a man by today's standards is just not "fair".


Agreed. It's totes not fair to judge people who burnt bitches, burnt witches, enslaved people, raped women after looting a city, killed indigenous tribes in the name of Manifest Destiny, etc.


Depends. If they were doing it today, of course. Also, there is a difference between saying "give them a free pass" and saying "don't judge them by today's standards". But hey, you aren't known for caring about subtleties.


What's the matter, PLAYER? You can tell BigDaddyStalin all about your pet peeves. Let's all gather around and feign interest.


Yeah PLAYER, seriously, tell us
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Dukasaur on Thu Dec 08, 2011 2:16 am

BigBallinStalin wrote:Seems like we're in full agreement here.

It has happened from time to time...-)
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby PLAYER57832 on Thu Dec 08, 2011 7:38 am

daddy1gringo wrote:You're completely ignoring historical and cultural context. Disney didn't make up those stories. Most of them are from Grimm's fairy tales, collected by the Grimm brothers from the mediaeval peasants and villagers who developed them. (Snow White, Sleeping Beauty, Cinderella, Beauty and the Beast, etc.) Aladdin is part of the 1001 Arabian Nights, also from the middle ages or before. The little Mermaid was written by Hans Christian Anderson in the early 19th Century. Non-feminist views of women were rather common in those days. Dumbo was made in the 1950's. Even the most liberal of white people shared those patronizing stereotypes of African-Americans. You're anachronistically imposing standards of our day on stories that are not from our day.

Incidentally, about half of the movies you mentioned were made after Walt was dead.

LOL.. gotta stop you there, because there is often very little connection between the Disney versions of those tales and the tales themselves. Sleeping beauty is perhaps the closest, one of those made with Disney still in power, though I don't think that really matters.

AND, per Grimms.. even they wound up necessarily modifying and combining several tales. They usually had a morality component as well as being entertaining.. sometimes it took only a few translations for that morality to be utterly twisted or lost. AND, sometimes the "morality lesson" varied by culture. The same tale might tell different things, depending on the context.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Army of GOD on Sat Dec 17, 2011 1:57 am

hahahahahahahahahahahahaha. I grew up on Aristocats, but it's been at least 10 years since I last saw it.

After watching it again today, I couldn't help but think of this thread during this scene: http://www.youtube.com/watch?v=Mbk4yaPdurI
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Army of GOD on Thu Sep 06, 2012 10:23 pm

Alright, so I watched Mulan again today (grew up on it, probably my second favorite Disney movie after Aladdin [not including Pixar movies]) and it's hilarious reading the "complaints" about it online being racist, sexist, etc.

I'm curious, does anyone think Mulan is overtly racist or sexist?
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Frigidus on Thu Sep 06, 2012 11:59 pm

Army of GOD wrote:Alright, so I watched Mulan again today (grew up on it, probably my second favorite Disney movie after Aladdin [not including Pixar movies]) and it's hilarious reading the "complaints" about it online being racist, sexist, etc.

I'm curious, does anyone think Mulan is overtly racist or sexist?


I certainly don't. Honestly, anybody that looks that hard for sexism or racism probably can't enjoy anything they read/watch/play. I imagine it must be exhausting.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby natty dread on Fri Sep 07, 2012 12:35 am

http://www.socialjusticeleague.net/2011 ... ic-things/

How to be a fan of problematic things

I like things, and some of those things are problematic. I like Lord of the Rings even though it’s pretty fucked up with regard to women and race (any narrative that says “this whole race is evil” is fucked up, okay). I like A Song of Ice and Fire even though its portrayal of people of colour is problematic, and often I find that its in-text condemnation of patriarchy isn’t obvious enough to justify the sexism displayed. I like the movie Scott Pilgrim vs The World even though it is racist in its portrayal of Matthew Patel, panders to stereotypes in its portrayal of Wallace, and trivialises queer female sexuality in its portrayal of Ramona and Roxy’s relationship. For f*ck’s sake, Ramona even says “It was a phase”! How much more cliche and offensive could this movie be? Oh wait, remember how Scott defeats Roxy, his only female adversary, by making her orgasm? Excuse me while I vomit…and then keep watching because I still like the rest of the movie.

Liking problematic things doesn’t make you an asshole. In fact, you can like really problematic things and still be not only a good person, but a good social justice activist (TM)! After all, most texts have some problematic elements in them, because they’re produced by humans, who are well-known to be imperfect. But it can be surprisingly difficult to own up to the problematic things in the media you like, particularly when you feel strongly about it, as many fans do. We need to find a way to enjoy the media we like without hurting other people and marginalised groups. So with that in mind, here are my suggestions for things we should try our darnedest to do as self-confessed fans of problematic stuff.

Firstly, acknowledge that the thing you like is problematic and do not attempt to make excuses for it. It is a unique irritation to encounter a person who point blank refuses to admit that something they like is problematic. Infuriatingly, people will often actually articulate some version of the argument “It can’t be problematic because I like it, and I’m nice”. Alternatively, some fans may find it tempting to argue “Well this media is a realistic portrayal of societies like X, Y, Z”. But when you say that sexism and racism and heterosexism and cissexism have to be in the narrative or the story won’t be realistic, what you are saying is that we humans literally cannot recognise ourselves without systemic prejudice, nor can we connect to characters who are not unrepentant bigots. Um, yikes. YIKES, you guys.

And even if you think that’s true (which scares the hell out of me), I don’t see you arguing for an accurate portrayal of everything in your fiction all the time. For example, most people seem fine without accurate portrayal of what personal hygiene was really like in 1300 CE in their medieval fantasy media. (Newsflash: realistically, Robb Stark and Jon Snow rarely bathed or brushed their teeth or hair). In real life, people have to go to the bathroom. In movies and books, they don’t show that very much, because it’s boring and gross. Well, guess what: bigotry is also boring and gross. But everyone is just dying to keep that in the script.

Especially do not ever suggest that people not take media “so seriously”, or argue that it’s “just” a tv show. The narratives that we surround ourselves with can subtly, subconsciously influence how we think about ourselves and others. That’s why creating imaginary fantasy and sci fi worlds that have more equal societies can be a powerful thing for marginalised people, who mainstream media rarely acknowledges as heroes. But even if you don’t think that media matters, there is still no reason to focus exclusively on unequal or problematic fictional worlds and narratives. If it doesn’t matter, why don’t YOU stop taking your media so seriously and stop fighting us on this? You with your constant demands for your narrow idea of “realism” (which by the way often sounds a lot like “show me naked skinny ciswomen, and gore”). If in your framework tv shows aren’t serious business, why does realism matter? Why can’t you accept that it would be totally cool to have AT LEAST ONE BIG MEDIEVAL FANTASY EPIC WHERE WOMEN AND POC WERE LIKE, EQUAL TO WHITE MEN AND STUFF. STOP TAKING IT SO SERIOUSLY.

Secondly, do not gloss over the issues or derail conversations about the problematic elements. Okay, so you can admit that Dune is problematic. But wait, you’re not done! You need to be willing to engage with people about it! It’s not enough to be like “Ok, I admit that it’s problematic that the major villain is a fat homosexual rapist, but come on, let’s focus on the giant sandworms!”. Shutting people down, ignoring or giving minimal treatment to their concerns, and refusing to fully engage with their issues is a form of oppression. Implicitly, you’re giving the message that this person’s feelings are less important than your own. In fact, in this case you’re saying that their pain is less important than your enjoyment of a book, movie or tv show. So when people raise these concerns, listen respectfully and try to understand the views. Do not change the topic.

Thirdly you must acknowledge other, even less favourable, interpretations of the media you like. Sometimes you still enjoy a movie or book because you read a certain, potentially problematic scene in a certain way – but others read it entirely differently, and found it more problematic. For example, consider the scene in Game of Thrones where Drogo rapes Dany (which he does not do in the books). One of my friends feels that it was portrayed like rape fetish porn, sexualising the act and Dany’s pain. But I feel that the scene focuses on Dany’s pain and tears in a manner that is not fetishising them (though even so the narrative is still totally fucked up because Dany and her rapist then go on to have a good, sexyfuntimes relationship…uh, no, HBO). I don’t agree with my friend’s interpretation but I recognise it as a totally valid reading of the scene.

Also, as a fan of problematic media, you need to respect the fact that others may be so upset or angered by media you love that they don’t want to engage with it at all. In fact, one of my best friends won’t watch HBO’s Game of Thrones because of the racism and misogyny. That’s a completely legitimate and valid response to that tv show, and me trying to convince her to give it another shot would be disrespectful and hurtful. If you badger others to see what you see in something when they are telling you it’s not enjoyable for them, you’re being an entitled jerk. You’re showing yourself to be willing to hurt a real person over a television show. That really is a sign you’re taking things too seriously.

As fans, sometimes we need to remember that the things we like don’t define our worth as people. So there’s no need to defend them from every single criticism or pretend they are perfect. Really loving something means seeing it as it really is, not as you wish it were. You can still be a good fan while acknowledging the problematic elements of the things you love. In fact, that’s the only way to be a good fan of problematic things.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Army of GOD on Fri Sep 07, 2012 12:57 am

I have no problem admitting liking problematic things (see my post in regards to the Aristocats).

Mulan on the other hand is more of a victim of Disney's reputation. And I'll defend it because I fucking love Mulan.

Yes, I'm pretty sure my first boner came about during the bath scene in Mulan.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby thegreekdog on Fri Sep 07, 2012 8:08 am

Good editorial natty.

Let me get the caveats out of the way first before I get into my only criticism of the editorial. Game of Thrones is absolutely mysoginistic and is meant to be so. I do not believe it is meant to be heterosexist or racist. George Martin is going for what he feels like is realism. I also find it perfectly acceptable if someone does not want to watch something, for whatever reason, whether it be because the person believes it is racist or if the person believes it violates the tenets of their religion (I recently watched an interview with two Pythons and two religious leaders regarding Life of Brian).

(1) Misogyny - GRRM believes that in medieval times, there was a lot of raping, abuse, and otherwise evilness going on with women. I did not study the treatment of women in the middle ages in detail when I was in college, but from what I did study, there were not a lot of good things going on. So, if GRRM is going for realism, then he gives that in GoT.

(2) Heterosexism - There are only two gay characters in GoT (I believe). They are not treated any differently because they are gay. In fact, in the novels it is not clear that they are gay. Additionally, assuming GRRM is going for realism, homosexuality was not treated with respect in ye merry olde England, so if there was heterosexism, it would be realistic in his mind.

(3) Racism - I do not understand this at all. There are no good guy characters in GoT. Everyone is treated like a shithead by GRRM... whether they are people in ye merry old England analogue or whether they are people in Arabian analogue. So there are no black characters in the north? How is that not realistic?
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby jimboston on Fri Sep 07, 2012 10:11 am

Army of GOD wrote:I have no problem admitting liking problematic things (see my post in regards to the Aristocats).

Mulan on the other hand is more of a victim of Disney's reputation. And I'll defend it because I fucking love Mulan.

Yes, I'm pretty sure my first boner came about during the bath scene in Mulan.


The Traditional story of Mulan (from China) is about how a Daughter must respect and love her Father and how she must do what she can to honor her Father and her Family.

The Disney version is about a woman who proves that she can do whatever a man can do. It is the fuckin' opposite of sexist. Anyone who doesn't see this is an idiot and not worth talking to.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby natty dread on Fri Sep 07, 2012 11:09 am

thegreekdog wrote:Let me get the caveats out of the way first before I get into my only criticism of the editorial. Game of Thrones is absolutely mysoginistic and is meant to be so. I do not believe it is meant to be heterosexist or racist. George Martin is going for what he feels like is realism.


natty dread wrote:Alternatively, some fans may find it tempting to argue “Well this media is a realistic portrayal of societies like X, Y, Z”. But when you say that sexism and racism and heterosexism and cissexism have to be in the narrative or the story won’t be realistic, what you are saying is that we humans literally cannot recognise ourselves without systemic prejudice, nor can we connect to characters who are not unrepentant bigots. Um, yikes. YIKES, you guys.


YIKES, tgd. Yikes.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby BigBallinStalin on Fri Sep 07, 2012 11:47 am

natty dread wrote:
thegreekdog wrote:Let me get the caveats out of the way first before I get into my only criticism of the editorial. Game of Thrones is absolutely mysoginistic and is meant to be so. I do not believe it is meant to be heterosexist or racist. George Martin is going for what he feels like is realism.


natty dread wrote:Alternatively, some fans may find it tempting to argue “Well this media is a realistic portrayal of societies like X, Y, Z”. But when you say that sexism and racism and heterosexism and cissexism have to be in the narrative or the story won’t be realistic, what you are saying is that we humans literally cannot recognise ourselves without systemic prejudice, nor can we connect to characters who are not unrepentant bigots. Um, yikes. YIKES, you guys.


YIKES, tgd. Yikes.



Should historical fiction be redrawn to fit the fantasies of an world idealized by a particular group?
In other words, should historic accuracy be sacrificed for certain idealistic goals?
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby Frigidus on Fri Sep 07, 2012 11:49 am

natty dread wrote:
thegreekdog wrote:Let me get the caveats out of the way first before I get into my only criticism of the editorial. Game of Thrones is absolutely mysoginistic and is meant to be so. I do not believe it is meant to be heterosexist or racist. George Martin is going for what he feels like is realism.


natty dread wrote:Alternatively, some fans may find it tempting to argue “Well this media is a realistic portrayal of societies like X, Y, Z”. But when you say that sexism and racism and heterosexism and cissexism have to be in the narrative or the story won’t be realistic, what you are saying is that we humans literally cannot recognise ourselves without systemic prejudice, nor can we connect to characters who are not unrepentant bigots. Um, yikes. YIKES, you guys.


YIKES, tgd. Yikes.


So you feel that any work that is set in a misogynistic background is mysoginistic?
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby thegreekdog on Fri Sep 07, 2012 12:04 pm

natty dread wrote:
thegreekdog wrote:Let me get the caveats out of the way first before I get into my only criticism of the editorial. Game of Thrones is absolutely mysoginistic and is meant to be so. I do not believe it is meant to be heterosexist or racist. George Martin is going for what he feels like is realism.


natty dread wrote:Alternatively, some fans may find it tempting to argue “Well this media is a realistic portrayal of societies like X, Y, Z”. But when you say that sexism and racism and heterosexism and cissexism have to be in the narrative or the story won’t be realistic, what you are saying is that we humans literally cannot recognise ourselves without systemic prejudice, nor can we connect to characters who are not unrepentant bigots. Um, yikes. YIKES, you guys.


YIKES, tgd. Yikes.


Yeah, I didn't agree with that part obviously.

Like what the marx does this mean - "We humans literally cannot recognize ourselves without systemic prejudice, nor can we connect to characters who are not unrepentant bigots." What exactly his the author's alternative? That we write our Clinton story analogue where Clinton is a black man, Monica Lewinsky is a gay man, and Hillary Clinton is Hispanic? Will that help us recognize ourselves without systemic prejudice?
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby MeDeFe on Fri Sep 07, 2012 1:01 pm

jimboston wrote:
Army of GOD wrote:I have no problem admitting liking problematic things (see my post in regards to the Aristocats).

Mulan on the other hand is more of a victim of Disney's reputation. And I'll defend it because I fucking love Mulan.

Yes, I'm pretty sure my first boner came about during the bath scene in Mulan.

The Traditional story of Mulan (from China) is about how a Daughter must respect and love her Father and how she must do what she can to honor her Father and her Family.

The Disney version is about a woman who proves that she can do whatever a man can do. It is the fuckin' opposite of sexist. Anyone who doesn't see this is an idiot and not worth talking to.

Doesn't she get back into the kitchen in the end and makes her husband a sandwich or something?
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby natty dread on Fri Sep 07, 2012 2:02 pm

BigBallinStalin wrote:Should historical fiction be redrawn to fit the fantasies of an world idealized by a particular group?
In other words, should historic accuracy be sacrificed for certain idealistic goals?


Oh, I'm sorry, I had no idea GoT had anything to do with history. When did it all happen, exactly?

thegreekdog wrote:Yeah, I didn't agree with that part obviously.

Like what the marx does this mean - "We humans literally cannot recognize ourselves without systemic prejudice, nor can we connect to characters who are not unrepentant bigots." What exactly his the author's alternative? That we write our Clinton story analogue where Clinton is a black man, Monica Lewinsky is a gay man, and Hillary Clinton is Hispanic? Will that help us recognize ourselves without systemic prejudice?


That's a nice strawman you have there. Did you build it yourself?

Obviously the problem is not that there should be some sort of quota for people of different ethnicities or sexualities in any given work; if a story is about a group of white heterosexual males, then it's about them and that's just fine. It only becomes problematic if the portrayal of those characters is offensive or bigoted.

I guess the main point of the issue is this: If you're writing a work of fiction, particularly of the fantasy genre, why should you be so concerned about realism?

I mean, it just seems really weird that you have a story where it's perfectly fine to have flying wizards and dragons or whatever, no one cares. But take away the misogyny, racism and homophobia? UNREALISTIC!!!!
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby BigBallinStalin on Fri Sep 07, 2012 2:35 pm

natty dread wrote:
BigBallinStalin wrote:Should historical fiction be redrawn to fit the fantasies of an world idealized by a particular group?
In other words, should historic accuracy be sacrificed for certain idealistic goals?


Oh, I'm sorry, I had no idea GoT had anything to do with history. When did it all happen, exactly?


Of course, GoT is not a nonfictional account of history. It's fictional account of history which resembles a medieval world. The story can be misogynistic/whatever in order to provide a semblance of reality which would likely be true for the setting.

For example, since GoT takes place in a medieval setting, then the women's liberation movement has yet to occur. Some characters within GoT would seem more realistic if they act misogynistic, etc. (Furthermore, some female characters within GoT don't act irrationally or whatever qualities that are deemed as bad for females. Many males in GoT act irrationally, so the book could also be construed as anti-manly, negatively stereotyping heterosexual males, etc.).



Should historical fiction be redrawn to fit the fantasies of a world idealized by a particular group?
In other words, should historic accuracy be sacrificed for certain idealistic goals of others?

(Maybe you could argue that the medieval setting was something of a feminist utopia? )


I ask these questions because my concern is that some groups attempt to censor literature in order to appease their idealistic worldview, which they tend to apply everywhere--regardless of its blindly surging impact and the loss of quality on other works of art. I'd like to understand where you stand on this issue.





natty dread wrote:I guess the main point of the issue is this: If you're writing a work of fiction, particularly of the fantasy genre, why should you be so concerned about realism?


The social construction of reality in any fantasy book depends on the author's views and maybe on his expectations of his target audience (if he even gives a damn about them). The author defines the realism, and since the setting must sync with the story/characters, then yes, people should be concerned about the book's "realism."

Feminist Utopia applied to GoT would detract from the book and its realism, which is about power plays and the vagueness of good v. evil.

Why should the book explicitly promote Feminist Interventionism by providing an ideal world where all women do not hold subservient positions or whatever that groups demands (which varies and can be inconsistent)?




natty dread wrote:I mean, it just seems really weird that you have a story where it's perfectly fine to have flying wizards and dragons or whatever, no one cares. But take away the misogyny, racism and homophobia? UNREALISTIC!!!!


Yeah, his fantasy world isn't a feminist utopia, which isn't the point of the book. Are you demanding authors should only write books which advocate for egalitarianism, feminism, or whatever else conforms with only one's ideals ?


(You seem to remind me of Plato's Philosopher King and his right to censor certain literature which he deems to be against the Good.)
Last edited by BigBallinStalin on Fri Sep 07, 2012 2:37 pm, edited 1 time in total.
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby thegreekdog on Fri Sep 07, 2012 2:37 pm

natty dread wrote:
BigBallinStalin wrote:Should historical fiction be redrawn to fit the fantasies of an world idealized by a particular group?
In other words, should historic accuracy be sacrificed for certain idealistic goals?


Oh, I'm sorry, I had no idea GoT had anything to do with history. When did it all happen, exactly?

thegreekdog wrote:Yeah, I didn't agree with that part obviously.

Like what the marx does this mean - "We humans literally cannot recognize ourselves without systemic prejudice, nor can we connect to characters who are not unrepentant bigots." What exactly his the author's alternative? That we write our Clinton story analogue where Clinton is a black man, Monica Lewinsky is a gay man, and Hillary Clinton is Hispanic? Will that help us recognize ourselves without systemic prejudice?


That's a nice strawman you have there. Did you build it yourself?

Obviously the problem is not that there should be some sort of quota for people of different ethnicities or sexualities in any given work; if a story is about a group of white heterosexual males, then it's about them and that's just fine. It only becomes problematic if the portrayal of those characters is offensive or bigoted.

I guess the main point of the issue is this: If you're writing a work of fiction, particularly of the fantasy genre, why should you be so concerned about realism?

I mean, it just seems really weird that you have a story where it's perfectly fine to have flying wizards and dragons or whatever, no one cares. But take away the misogyny, racism and homophobia? UNREALISTIC!!!!


I didn't build the strawman myself, but thanks for asking.

Again, I'm not suggesting that the author should be forced to read anything he/she does not feel comfortable reading. But, yes, if the purpose of the fantasy world GRRM builds is to reflect an analog of a certain historic period, then GRRM would probably want to include the misogynistic elements of that historic period. GRRM's Westeros is an analog of England. England didn't have dragons or magic. England did have misogyny. I suppose he could have built an analog England without dragons or magic, but also without misogyny. That would be a good fantasy novel.

Or we could talk about the alternate histories written by Harry Turtledove - talk about your racism and homophobia.

Let me save you the trouble - STRAWMAN!
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Re: Disney is for the sexists/racist, Dreamworks is for chil

Postby john9blue on Fri Sep 07, 2012 9:20 pm

reality is sexist.
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