La Belle Carolina Otero!
Six men reportedly committed suicide after their love affairs with Otero ended, although this has never been substantiated beyond a doubt. It is a fact, however, that two men did fight a duel over her. She was pretty, confident, intelligent, with an attractive figure, and was famed for her voluptuous breasts, and one of her most famous costumes featured her breasts partially covered with glued-on precious gems, and the twin cupolas of the Hotel Carlton built in 1912 in Cannes were said to have been modeled after her breasts.[4][6][7][8]
In August 1898, in St-Petersburg, the French film operator Félix Mesguich (an employee of the Lumière company) shot a one-minute reel of Otero performing the famous "Valse Brillante", making her possibly the first movie star in history. The screening of the film at the Aquarium music-hall provoked such a scandal (because an officer of the Tsar's army appeared in this frivolous scene) that Mesguich was expelled from Russia.[10]
Of her heyday and career, Otero once said, "Women have one mission in life: to be beautiful. When one gets old, one must learn how to break mirrors. I am very gently expecting to die."[11]
VS
Lena Horne!
Horne already had two low-budget movies to her credit: a 1938 musical feature called The Duke is Tops (later reissued with Horne's name above the title as The Bronze Venus); and a 1941 two-reel short subject, Boogie Woogie Dream, featuring pianists Pete Johnson and Albert Ammons. Horne's songs from Boogie Woogie Dream were later released individually as soundies. Horne was primarily a nightclub performer during this period, and it was during a 1943 club engagement in Hollywood that talent scouts approached Horne to work in pictures. She chose Metro-Goldwyn-Mayer, and became the first black performer to sign a long-term contract with a major Hollywood studio. November 1944 she was featured in an episode of the popular radio series, Suspense, as a fictional nightclub singer, with a large speaking role along with her singing. In 1945 and 1946 she sang with Billy Eckstine's Orchestra.
She made her debut with MGM in Panama Hattie (1942) and performed the title song of Stormy Weather based loosely on the life of Adelaide Hall, (1943), which she made at 20th Century Fox, on loan from MGM. She appeared in a number of MGM musicals, most notably Cabin in the Sky (also 1943), but was never featured in a leading role because of her race and the fact that films featuring her had to be re-edited for showing in states where theaters could not show films with black performers. As a result, most of Horne's film appearances were stand-alone sequences that had no bearing on the rest of the film, so editing caused no disruption to the storyline; a notable exception was the all-black musical Cabin in the Sky, although one number was cut because it was considered too suggestive by the censors. "Ain't it the Truth" was the song (and scene) cut before the release of the film Cabin in the Sky. It featured Horne singing "Ain't it the Truth", while taking a bubble bath (considered too "risqué" by the film's executives). This scene and song are featured in the film That's Entertainment! III (1994) which also featured commentary from Horne on why the scene was deleted prior to the film's release.
Horne in Till the Clouds Roll By, 1946
In Ziegfeld Follies (1946) she performed "Love" by Hugh Martin and Ralph Blane. Horne wanted to be considered for the role of Julie LaVerne in MGM's 1951 version of Show Boat (having already played the role when a segment of Show Boat was performed in Till the Clouds Roll By) but lost the part to Ava Gardner, a personal friend in real life, due to the Production Code's ban on interracial relationships in films. In the documentary That's Entertainment! III Horne stated that MGM executives required Gardner to practice her singing using Horne's recordings, which offended both actresses.
Horne was long involved with the Civil Rights movement. In 1941, she sang at Cafe Society and worked with Paul Robeson. During World War II, when entertaining the troops for the USO, she refused to perform "for segregated audiences or for groups in which German POWs were seated in front of African American servicemen",[15] according to her Kennedy Center biography. Because the U.S. Army refused to allow integrated audiences, she wound up putting on a show for a mixed audience of black U.S. soldiers and white German POWs. Seeing the black soldiers had been forced to sit in the back seats, she walked off the stage to the first row where the black troops were seated and performed with the Germans behind her. She was at an NAACP rally with Medgar Evers in Jackson, Mississippi, the weekend before Evers was assassinated. She also met President John F. Kennedy at the White House two days before he was assassinated. She was at the March on Washington and spoke and performed on behalf of the NAACP, SNCC, and the National Council of Negro Women. She also worked with Eleanor Roosevelt to pass anti-lynching laws.[16] She was a member of Delta Sigma Theta sorority.
Tom Lehrer mentions her in his song "National Brotherhood Week" in the line "Lena Horne and Sheriff Clark are dancing cheek to cheek" referring (wryly) to her and to Sheriff Jim Clark, of Selma, Alabama, who was responsible for a violent attack on civil rights marchers in 1965.
